2bzmedia    Ad#1 2 3 4 5   Content   Sociology of inner city   Social impact   Buy the CD   Bookings   Photo Gallery   MP3's   Contact us

Inner City Culture   Problems   Solutions   Classifieds   Hip Hop Industry News   Christian Issues   Bible Search    Positive Artists

Write the Vision

Our Mission
Who is tOObiz?
tOObiz - Fact Sheet
Needs
Goals
Investors & Sponsors

Music / Release Dates

Album:Tragic Phenomena 9/00
Single:Automatic Flow 6/01
Album:CD ROM 8:6 6/02
MP3 - Hottest Tracks
Artist Bios!!
WANTED: POSITIVE ARTISTS!

Radio

Gospel Hip Hop Chartz
World Wide Radio Play
tOObiz - Live Radio Interview

Media 
the newsletter

Magazine Articles: 
Sociology of Hip Hop
Inner City Culture
Street Ministry
Urban Poetry
Positive News Feeds
World Wide Music Study
World Wide Fan Community
Urban Web Link
Gospel Play-True Love
Other Sites Like This

Communication!!

Frequently Asked Questions!
What People Sayin'bout tOObiz?
Send in Your Opinion!!!
New Features Coming Soon

Merchandise

2BZ Merchandise
 
Flavor Hip Hop Shop
 
New World Music Store

Sign View

Bizniz or Cultcha 
(C) 2001 Bert Barrett for 2-BZ Media 
  

I remember when I was in highschool and I first heard rap...I immediately associated it with "rap" sessions or H. "Rap" Brown (a political activist).  I thought it was supposed to be a thing where brothas would talk about their situations from the heart, and express themselves with a beat to keep you into the vibe or the feeling.  I got into "rap" for that reason...so I could express myself from the heart about issues.  I am of Jamaican descent so I have always listened to reggae throughout my life.  When I was in high school and used to write rhymes for fun, I used to ask myself why Hip Hop wasn't nearly as "concious" as reggae.  When I listened to Bob Marley or Third World back then, I got a sense of upliftment. Good old Bob used to say "Don't worry...about a ting, because every likkle ting, is gonna be alright."

Lookin' around, I always got a feelin' like brothas and sistas are messing up.  I have always had a desire to speak to hurting people through rap.  When rap became "Hip Hop" I didn't mind. People were at least talking about the culture.  They used to explain rap is just "people reciting rhymes over a beat" and seemed to imply that if the music wasn't tied to the culture, it wasn't Hip Hop.  People had an attitude and a concern for rap being used commercially and in movies that in no way related to us.  When Public Enemy dropped, for people that think the way I do, Chuck D was very welcome.  At least this brotha was droppin' concious music (a term used by Jamaicans alot to refer to music whose intent is to edify, uplift and motivate its listening audience).  What has happened to Hip Hop?

Even people who aren't nearly as concerned about the Positivity as I am are saying that Hip Hop is dying off.  Why is this? Well, let's examine this.  First of all, if you look at reggae for a minute, you notice that much more music is pushed that talks about the need to take care of the children, respect your mama, overcome the drugs, and encourages you through struggle.  I challenge you to recognize that for the most part, Jamaicans are still in control of their own music.  It doesn't take rocket science to see that this may be a good reason why they pump positivity into their own culture!

What about us?  Do African Americans own, distribute and control their own music? Hell no, read "Hit Men" by Frederick Dammen if you want an accurate picture.  There is no doubt in my mind that this answers my question. 
We have shamefully given up control of the very music we created in the South Bronx - only to be told that positive music, the music that has the potential to breath life into our own hurting people, won't sell!  Nice job.  
Lauryn Hill, you are a God send.

tOObiz.